Some people enter a room and blend right in. Not Shelley King. She sweeps in, carrying herself with the strength and assurance of a woman who knows how to step up and get it done, whether “it” is leading her band, running her own record label or co-producing her new album, Building A Fire.
If there’s a little swagger to her strut, she’s earned it. Since quitting a sales job to pursue music full time in 1998, the singer-songwriter has served as the first female Texas state musician, performed with Levon Helm, toured the United States, Europe and Japan and cut two albums with members of the Subdudes — including this one, her seventh.
It makes perfect sense that King would be attracted to the New Orleans-born band, the Subdudes; her own soul-filled, earthy Americana sound is rooted in southern gospel and blues, dampened by the Gulf-borne humidity of Louisiana, nourished by the river loam of Muscle Shoals, then cleansed by the hot springs of her native Arkansas, with a little Texas country bubbling underneath.